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Cannes

On Saturday 24 May the prizes at the 78th Festival de Cannes were awarded. The Ecumenical Jury awarded its prize to ‘Jeunes mères’ by Jean-Pierre and Luc Dardenne (Belgium, France 2025). The film was also awarded the prize for Best Screenplay. The Palme d'Or went to ‘It Was Just an Accident’ by Jafar Panahi (Iran, France, Luxembourg 2025). The director was allowed to leave Iran for the first time in years.

The festival's Grand Prix went to ‘Affeksjonsverdi’ (Sentimental Value, Norway, France, Denmark, Germany 2025) by Joachim Trier. The Jury Prize was shared by ‘Sirât’ by Oliver Laxe (Spain, France 2025) and ‘Sound of Falling’ (Germany 2025) by Mascha Schilinski. Kleber Mendonça Filho was awarded the prize for Best Director for his film ‘O agente secreto’ (The Secret Agent, Brazil, France, Netherlands, Germany 2025), which was also honoured by the Jury of International Film Critics (Fipresci).

The Festival de Cannes opened on 13 May with ‘Partir un jour’ (France 2025) by Amélie Bonnin out of competition.  INTERFILM and SIGNIS sent an Ecumenical Jury of six members for the 51st time. It awards a prize for a film in the international competition, which comprised 22 films in 2025. The international festival jury was chaired by Juliette Binoche. At the festival's opening American actor Robert de Niro received an Honorary Palme d'Or for his life's work.

Link: Website of the Jury œcuménique

Link: Festival homepage

2025

The Ecumenical jury gives its prize to a film about the troubles of teenage mothers in a dedicated motherhouse. It finds moral clarity not in grand gestures, but in quiet acts of care. It is a smoothly told story in the best tradition of its authors who once again are able to add new elements to their refined style.

The film explores the first and utmost important relationship of every human life, which is motherhood. It touches a profound truth : love can endure even when family - this basic social structure - fails, when circumstances are unfair, when youth is burdened with adult responsibilities. The film proves that even small yet persistent acts of love and care of individuals and institutions can heal the deepest wounds.

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