Marie Starck, complemented by Dietmar Adler, reports about a symposium at Judson Memorial Church, New York, which was supported by INTERFILM
Peter Paul Huth's reporting from Cannes ends with a look at the ‘Cannes Classics’ section.
Commentary on the decisions of the festival jury chaired by Juliette Binoche. By Peter Paul Huth
Peter Paul Huth discusses two outstanding films from the Cannes 2025 festival, ‘Jeunes mères’ by Jean-Pierre and Luc Dardenne and ‘Miroirs No. 3’ by Christian Petzold.
Under the title ‘Making Of’, Peter Paul Huth refers in his report from Cannes to the cinematically reconstructed history of the creation of two works, one from film history and one from architectural history.
In his report, Peter Paul Huth looks at the two Iranian films in the International Competition at Cannes 2025.
Attentive observers of the gender balance have calculated that six out of 18 films in the competition were directed by women. In another report from Cannes, Peter Paul Huth explores this topic.
Two films in the competition at Cannes deal with the military dictatorships in Brazil and Egypt: Peter Paul Huth honours ‘The Secret Agent’ and ‘Eagles of the Republic’.
Peter Paul Huth writes about two historically and conceptually contrasting films on the subject of state violence from the international competition in Cannes 2025.
Peter Paul Huth reports about "Eddington" by Ari Aster and "Die, My Love" by Lynne Ramsay.
With a critical eye, Peter Paul Huth presents two German films in Cannes 2025 and contrasts them with a project by the late Laurent Cantet realised by Robert Campillo.
Dossier
The lists in this dossier summarize the church film awards of past years.