At the Oulu's Children's and Youth International Film Festival 2024 the Church Media Foundation presented its "Look at Me..." Award to Nellie Rajala for her film "The Elf Ring".
Sascha Keilholz, director of the International Film Festival Mannheim-Heidelberg, in his greetings at the Ecumenical Reception reflects the actual political challenges after the US elections and the threats to democracy.
Commentary on the award ceremony at the 81st Venice International Film Festival 2024
Series seem like a foreign body at a film festival, like aliens from the banal world of television. But in recent years, the perception and appreciation of series has changed fundamentally. This year, Venice dared to experiment by placing four so-called mini-series in the official programme.
Peter Paul Huth reports about the films by Justin Kurzel, Walter Salles, Delphine and Muriel Coulin as well as Anastasia Trofimova
Follow-up to Peter Paul Huth's reporting on the Venice Film Festival 2024.
For the first time INTERFILM was present at the Mostra dell'arte cinematographica, the International Film Festival in Venice (August 27-September 6, 2008). During the festival INTERFILM organised a panel discussion on Chinese cinema of today, in cooperation with the Organisazione protestante del cinema Roberto Sbaffi and the Italian Catholic film organisation Fondazione Ente dello Spettacolo. Karsten Visarius, Executive Director of INTERFILM, presented a keynote speech which is published below.
Peter Paul Huth reports from Venice on the films by John Watts (with George Clooney and Brad Pitts) and Pedro Almodóvar
Opening report by Peter Paul Huth on the 81st International Film Festival Venice 2024
There are some well-travelled cineastes and regular festival-goers who call Bologna their favourite festival. The atmosphere is relaxed and democratic, there is no VIP area, no stars who have to be shielded from the common people. The participants come from 70 countries, as is proudly noted. Final report by Peter Paul Huth.
When you see classic films on the big screen, you realise that the cinema is a time machine, a place of historical memory. A medium that makes the past visible through the subjective view of those involved in the film, because cinema is always a collective art form. Continuation of the report by Peter Paul Huth.
Dossier
On a national level, church film prizes are awarded regularly without INTERFILM being involved directly. These awards are documented here.