Mit einem jungen neuen Team unter der Leitung von Joanna Szymańska-Szcześniak und dem Programmdirektor Bartłomiej Pulcyn startete das Warschauer Filmfestival bei seiner 41. Ausgabe in gleich acht verschiedenen Spielstätten., so Holger Twele, Miglied der Ökumenischen Jury in Warschau 2025, in seinem Bericht.
Director Janicke Askevold from Norway wins the Ecumenical Prize of the Churches at the Locarno Film Festival. Her film centres on a journalist and single mother who wants to get to know the father of her child
Film review of Australian INTERFILM member Eloise Scherer
The quality of the films in competition in TIFF24, the Transilvania International Film Festival in Cuj-Napoca, was outstanding and impressed the ecumenical jury. The festival focusses on debuts of filmmakers or second films.
Marie Starck, complemented by Dietmar Adler, reports about a symposium at Judson Memorial Church, New York, which was supported by INTERFILM
The establishment of the Sheffield DocFest in 1994 was one of the city's cultural innovations that year. It has since become the largest documentary film festival in the United Kingdom, as well as a meeting place for producers and representatives of European television stations, according to Peter Paul Huth in his festival report.
Peter Paul Huth's reporting from Cannes ends with a look at the ‘Cannes Classics’ section.
Commentary on the decisions of the festival jury chaired by Juliette Binoche. By Peter Paul Huth
Peter Paul Huth discusses two outstanding films from the Cannes 2025 festival, ‘Jeunes mères’ by Jean-Pierre and Luc Dardenne and ‘Miroirs No. 3’ by Christian Petzold.
Dossier
The lists in this dossier summarize the church film awards of past years.