Aktuelles

For the first time INTERFILM was present at the Mostra dell'arte cinematographica, the International Film Festival in Venice (August 27-September 6, 2008). During the festival INTERFILM organised a panel discussion on Chinese cinema of today, in cooperation with the Organisazione protestante del cinema Roberto Sbaffi and the Italian Catholic film organisation Fondazione Ente dello Spettacolo. Karsten Visarius, Executive Director of INTERFILM, presented a keynote speech which is published below.

Peter Paul Huth reports from Venice on the films by John Watts (with George Clooney and Brad Pitts) and Pedro Almodóvar

Opening report by Peter Paul Huth on the 81st International Film Festival Venice 2024

There are some well-travelled cineastes and regular festival-goers who call Bologna their favourite festival. The atmosphere is relaxed and democratic, there is no VIP area, no stars who have to be shielded from the common people. The participants come from 70 countries, as is proudly noted. Final report by Peter Paul Huth.

When you see classic films on the big screen, you realise that the cinema is a time machine, a place of historical memory. A medium that makes the past visible through the subjective view of those involved in the film, because cinema is always a collective art form. Continuation of the report by Peter Paul Huth.

Peter Paul Huth reports on the film festival in Bologna dedicated to film history. The 2024 edition of the festival focussed on films featuring Marlene Dietrich.

The Dutch feature film "Zomervacht" (Summer Brother) won many prizes last Saturday at the 23rd Transilvania International Film Festival in Cluj in Romania. In this film directed by Joren Molter the main characters are two brothers, one of whom is physically and mentally disabled.

Stanislaw Zeman, president of the ecumenical jury at the International Film Festival for Children and Youth in Zlín 2024, reports about his impressions of the city and the competition programmes.

In April 2023, INTERFILM organised a seminar in Budapest focussing on the history of Hungarian cinema. Karsten Visarius introduces the films presented in the programme and attempts to bring up some aspects of their political and social background.

2024 was the year of women in Cannes, and this was clearly reflected in the awards. Although the Palme d'Or went to a man, to the American Sean Baker, his film "Anora" however has a combative female protagonist in Mikey Madsen. In his acceptance speech, Baker dedicated the award to all female sex workers.