“To get straight to the point, Robert Redford was an idol of my youth.” This is how Peter Paul Huth begins his obituary for the famous actor, director, and festival founder.
Commentary on the award ceremony at the Venice International Film Festival 2025. By Peter Paul Huth
Peter Paul Huth's report praises two films from the Venice Classics series: “Blind Chance” by Krzysztof Kieślowski and “Matador” by Pedro Almodóvar.
Peter Paul Huth's report presents challenging, complex contributions from the international competition program.
Peter Paul Huth writes about political films on the war in Gaza, military structures in the US, and Vladimir Putin's rise to power in Russia.
Guillermo del Toros "Frankenstein" und Benny Safdies "The Smashing Machine" sind Thema dieser Folge der Berichterstattung von Peter Paul Huth zum Filmfestival auf dem Lido di Venezia 2025.
Films by Yorgos Lanthimos, László Nemes and Gus van Sant are the subject of Peter Paul Huth's second report on Venice 2025.
The 82nd Venice International Film Festival, the Mostra internazionale d'arte cinematografica, celebrated its opening with Italian films and American stars. Report by Peter Paul Huth
Director Janicke Askevold from Norway wins the Ecumenical Prize of the Churches at the Locarno Film Festival. Her film centres on a journalist and single mother who wants to get to know the father of her child
Film review of Australian INTERFILM member Eloise Scherer
Dossier
The lists in this dossier summarize the church film awards of past years.