64th Berlin International Film Festival

06.02.2014 to 16.02.2014
Berlin

With nearly half a million admissions the Berlinale 2014 again proved to be one of the biggest festival for film audiences. The Golden Bear went to  "Bai Ri Yan Huo" (Black Coal, Thin Ice) by Diao Yinan, one of four Chinese competition entries. The Ecumenical Jury awarded its Prize in the competition to "Kreuzweg" (Stations of the Cross) by Dietrich Brüggemann, Germany, which also won a Silver Bear for Best Screenplay.

The members of the Ecumenical Jury, from left: Christoph Strack, Gabriella Lettini, Dirk von Jutrczenka (front), Thomas Schüpbach, Karel Deburchgrave, Antonio Urrata (back)

Awards of the Ecumenical Jury

Stations of the Cross
Kreuzweg
Directed by:
2014

Kreuzweg (Stations of the Cross)
14 year-old Maria grows up in a fundamental Catholic community and tries to understand what it means to give one’s life to God. The 14 chapters modeled on the Stations of the Cross are coherently filmed in a tableau-style with hardly any camera-movements or music. They portray the destructive aspects of any fundamentalism but also lead us to reflect about the meaning of compassionate faith.
'71
Directed by:
2014

'71
An ordinary British soldier lost in the apocalyptic inferno of Belfast is desperately trying to find his way back to his unit. Will he find any Good Samaritans among Protestant Loyalists or Catholic Nationalists to help him in this desperate situation? Though it is set in a specific historical context, this story has a universal relevance as it denounces the senselessness of violence.
Directed by:
2014

An Irish-Catholic priest learns during a confession that he has only one more week to live before he will be killed. Will his moral integrity lead him to bear the sins of his church? Various serious topics are often dealt with in a dark humorous way. Brendan Gleeson’s memorable performance will become a classic in the canon of movie-priests.
Directed by:
2013

Do changes in our brains alter our souls? The film explores this question with three different narratives about what and how we hear and understand. This highly cinematographic meditation offers thought-provoking observations about music, religion, medical science and our auditive senses.
At Home
Directed by:
2014

Nadja, a Georgian migrant woman, works without any benefits as a housekeeper for an upperclass Greek family. For years she has lived as a part of the family – but suddenly she is diagnosed with a serious illness just as the father of the family runs into some financial difficulties. The film highlights the inherent dignity of a woman at the margins of society.