Mythical figures and images from the worlds of culture, sport and politics formed the subject matter of some of the films screened at DocFest Sheffield 2026. Peter Paul Huth explores them.
The extent to which the documentary film has evolved was once again evident this year at DocFest Sheffield (10–15 June 2026). The classic ideal of Direct Cinema or Cinéma Vérité has given way to a wide variety of cinematic possibilities. Report by Peter Paul Huth.
Annette Gjerde-Hansen, Norwegian President of the Ecumenical Jury in Cannes 2026, writes about the background of the jury's decision to award Cristian Mungiu's "Fjord" with their prize.
In his retrospect of the festival, Peter Paul Huth highlights, above all, the films in the Cannes Classics series.
Die Preisverleihung in Cannes endete mit einer Überraschung. Paweł Pawlikowski mit „Fatherland“ und Ryusuke Hamaguchi mit „Soudain“ waren die Favoriten, die beim Ranking der Kritiker in Führung lagen, dicht gefolgt von Andrej Svjagincev mit „Minotaur“.
Individualists with distinctive styles: Peter Paul Huth reviews the new films by Valeska Grisebach and Cristian Mungiu.
When you look back towards the end of the festival, you are struck by the abundance of queer affairs and relationships on the screen. At the start, there were more lesbian storylines; in the last few days, the focus has been on male protagonists.
Two films at Cannes focus on figures from the French Resistance during World War II: “Moulin” by László Nemes and “La troisième nuit” by Daniel Auteil. Critical remarks by Peter Paul Huth
Continuing his report from Cannes, Peter Paul Huth discusses three highlights of the festival—or at least films that were expected to be highlights: “Sheep in the Box” by Hirokazu Kore-eda, “El ser querido” by Rodrigo Sorogoyen, and “Paper Tiger” by James Gray.
When festival director Thierry Frémaux was criticized at the press conference for the fact that only four female directors were represented in the competition, he rightly pointed to the numerous films featuring female protagonists. These include, among others, “La vie d'une femme” by Charline Bourgeois-Tocquet, ‘Soudain’ by Ryusuke Hamaguchi, and “Nagi Notes” by Koji Fukada.
Dossier
The lists in this dossier summarize the church film awards of past years.