At first glance, the film begins as a crime thriller. But the search for answers quickly moves beyond this superficial premise. It leads into a different, more subtle dynamic of human existence that can no longer be categorized within the framework of everyday routine. In this hall of mirrors, identities are constantly being reassembled. Nothing remains static; nothing can be pinned down.

A quiet, poetic film whose musical and visual composition sharpens the viewer’s perception of what might be truth in every moment. (Photo: Sylvie Testud in “Dead Man's Memories”)

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